Unveiling The Creative Process Of A Master Storyteller
David Blixt discusses his theatrical roots, meticulous research, and the inspirations behind his historical novels, offering insights into his creative process and the timeless themes that shape his work.
David Blixt stands as a towering figure in the realm of historical fiction, a masterful storyteller whose works transport readers across centuries and continents. With a unique ability to weave intricate plots and breathe life into historical figures, Blixt’s novels are a testament to his passion for both history and the human experience. From the political intrigue of ancient Rome in The Colossus series to the star-crossed drama of Renaissance Italy in The Star-Cross’d series, and the daring exploits of Nellie Bly in Gilded Age America, his stories are as diverse as they are compelling. His wit shines in Her Majesty’s Will, a delightful espionage comedy featuring Shakespeare and Marlowe, while his theatrical background infuses his writing with a vivid, almost cinematic quality. As the Historical Novel Society aptly puts it, Blixt’s works are the kind that keep readers burning the midnight oil.
In this exclusive interview for Reader’s House Magazine, David Blixt shares the inspirations and experiences that have shaped his remarkable career. From his theatrical roots to his meticulous research, Blixt offers a glimpse into the creative process behind his beloved novels. Whether recounting a serendipitous discovery in Verona or delving into the life of trailblazing journalist Nellie Bly, Blixt’s insights reveal the depth of his dedication to storytelling. Join us as we explore the mind of an author who continues to redefine historical fiction, blending drama, history, and humanity into unforgettable narratives.
What inspired you to combine elements of theater and historical fiction in your writing?
My artistic loves are writing and acting. I’ve been acting since childhood, which allowed me to inhabit characters, and by age eleven, I’d written an epic saga inspired by Lord of the Rings and Dreadstar. As a professional actor, mostly in Shakespearean roles, I combined both passions. A specific line in Romeo & Juliet sparked my imagination, hinting at the root of the famous feud. This led me to research and write The Master of Verona, exploring connections between Shakespeare and Dante. I also stage my scenes carefully and craft dialogue to be spoken aloud, bringing elements of theater to my writing.
Can you share a memorable experience from your travels that influenced a specific scene or character in your novels?
My wife and I eloped and spent a three-month honeymoon across Europe. While in Verona for research on The Master of Verona, we discovered “death doors” used in medieval times to remove bodies from homes without using the main entrance. This inspired a scene in Voice of the Falconer where my protagonist seeks salvation by knocking on Death’s Door. I adore that scene, and the trip itself had a lasting impact on my work.
What research did you undertake to accurately portray Nellie Bly’s experiences and the social issues of 1880s New York in What Girls Are Good For and its sequels?
Researching Nellie Bly’s life for What Girls Are Good For started with her own writings—over 700 articles, twelve novels, and three non-fiction books. I delved into her words, absorbing her anger at the injustices faced by the poor and especially women of the Gilded Age. I also explored historical accounts, especially period advertisements in her newspaper, The New York World. Bly herself used the classifieds for undercover investigations, and these ads offered me a rich backdrop to create an authentic atmosphere.
In what ways do you feel that Nellie Bly’s story resonates with contemporary issues, and what message do you hope readers take away from her journey in What Girls Are Good For?
Nellie Bly has influenced our culture in countless ways. She’s the basis for Lois Lane, and many early serial movies were based on her. What first drew me to Bly was her outrage at an article stating that a woman’s place was in the home. Fiercely determined, a pioneering woman in a man’s world, she was empathetic but also a savvy self-promoter. Bly’s struggles with fame, depression, and imposter syndrome echo challenges faced by many modern women. As a professional woman in her time, she set early standards for others, making her a cultural icon whose story continues to inspire today.
What inspired you to set Stone and Steel during the tumultuous period of Judea in AD 66, and how did you choose to portray the complexities of that era?
The inspiration for Stone and Steel came from visiting St. Clement’s in Rome and its excavations, which reveal layers of history. Intrigued by the Jewish diaspora and its impact on both Roman and Jewish religious life, I chose AD 66, the start of the Jewish War, as the setting because it represented a major clash between two cultures that saw themselves as chosen by their gods. The destruction of both the Temple of Jupiter and the Second Temple in Jerusalem within a year created a void in the ancient world that various religions and cults tried to fill.
How did you develop the character of Judah, and what aspects of his journey do you find most compelling in relation to the broader themes of honor and sacrifice in Stone and Steel?
Judah’s character development in Stone and Steel ties into themes of honor and sacrifice. The word ‘sacrifice’ comes from the Latin ‘sacer facere,’ meaning ‘to make holy.’ Judah and his brother Asher, both masons, sacrifice their identities to defend their home from Rome’s legions. Their profession as builders, combined with their Jewish heritage, is central to their struggle. Their story highlights the complexities of survival, tradition, and the inevitable clash with Rome’s mighty empire.
