Photo:S. J. Barratt, award-winning storyteller, blending myth, nature, and eco-fiction to inspire young readers through her Living at the Edge of the World series.
Bringing Scotland’s Wild Beauty To Life
S. J. Barratt discusses eco-fiction, Viking legends, social dynamics, and cultural identity in her award-winning Living at the Edge of the World series, blending adventure, education, and environmental themes for middle-grade readers.
S.J. Barratt stands as a remarkable force in contemporary children’s literature, weaving together threads of ecology, adventure, and myth into tales that both educate and enchant. Based in the picturesque surroundings of Lyon, France, Barratt’s life is deeply rooted in sustainable agriculture, a passion that unmistakably infuses her writing with authenticity and a respect for the natural world. Her award-winning series, Living at the Edge of the World, captivates middle-grade readers with its compelling settings, diverse stories, and heartfelt themes—all underscored by her meticulous research and dedication to environmental storytelling.
In this issue of Reader’s House, we have the immense pleasure of sharing an illuminating interview with Barratt. Her eco-fiction series, set amidst Scotland’s storied landscapes, has not only charmed reviewers but also garnered accolades such as the Silver Medal at BookFest 2024 for diversity in children’s books and recognition from the Literary Titan. Her debut novel, Winter, brought forward the enchanting ethos of Shetland’s crofting culture, while its sequel, Spring, delved deeper into archaeology and Viking legend, leaving readers eager for the upcoming instalment, Summer.
From her exploration of social media’s impact through the lenses of her twin protagonists—Tabitha and Timothy—to her nuanced approach to fostering environmental education in young minds, Barratt’s work is both timely and timeless. Her stories encourage readers to see the intricate beauty of the world around them, to tread more lightly upon it, and to embrace curiosity as a driving force for wonder and wisdom. As she prepares to unveil the third chapter of her series, with themes of ocean pollution and Selkie legends, we can only expect her narrative tapestry to grow richer still.
Through her words, Barratt demonstrates an unwavering belief in the transformative power of stories—blurring boundaries between cultures, landscapes, and the realms of science and myth. It is an honour to spotlight her voice in this issue and to offer our readers a glimpse into the creative mind behind these extraordinary tales.
S. J. Barratt masterfully blends myth, science, and ecology into compelling stories that spark imagination, curiosity, and respect for nature.
How did your experience researching crofting and Shetland’s landscapes shape the setting and themes in Living at the Edge of the World – Winter & Spring?
Having worked in agriculture for over 20 years, there are so many aspects of rural life I’d love young readers—and their parents—to better understand. I knew from the start that I wanted the story to be set on a farm, and crofting in Scotland felt like the perfect fit: small-scale, family-run, and deeply rooted in both community and the land.
When I came across Shetland, especially the island of Foula—with its population of just 30 people—I was captivated. It was the ideal backdrop to explore themes of isolation, resilience, and identity. The stark contrast between this remote, rustic way of life and the world of a wannabe influencer from trendy North London gave me a compelling framework for both tension and humor.
“Research deeply, reach out to experts, and stay open to inspiration—curiosity can transform any story into something truly meaningful.” – S. J. Barratt
Winter garnered awards in 2024—how did recognition influence your approach to Spring, published March 20, 2025?
Winning my first award—a Silver Medal at BookFest—was such a thrill that I proudly featured it on Winter’s cover. It gave me a real confidence boost and reinforced that the themes I was exploring resonated with readers.
When writing Spring, I felt encouraged to keep pushing myself creatively while staying true to the heart of the story. I’ve submitted it to a range of awards, including the North Street Book Prize, which offers valuable feedback—even if you don’t win. That insight is invaluable to me.
The awards Winter received confirmed there’s an appetite for stories that reflect both cultural diversity and unique landscapes. It’s helped shape my direction going forward:
- Silver Medalist, BookFest 2024 — Children’s Books: Diversity & Multicultural
- Bronze Medalist, Global Book Awards 2024 — Geography & Culture
- Finalist, Children’s Book Excellence Awards 2025
Spring has since received a children’s literature award from Literary Titan.
In Spring, the twins uncover a Viking artefact—what inspired you to weave archaeology and legend into a story for ages 9–12?
Many themes in my stories are grounded in real-life events. A few years ago, an islander on Foula digging for peat unearthed woollen fabric dating back to the Vikings. It wasn’t a dramatic helmet or sword, but it sparked my imagination. I expanded on that and added a fictional twist to make it exciting for young readers.
I also wove in a simple soil experiment using cotton, to show how organic material breaks down over time—hands-on science that kids can try themselves. Combining real-world science with Norse legend made the writing process fun and educational—even for me!
The contrast between Tabitha’s social-media mindset and Timothy’s love of nature offers sharp character arcs—how did you develop that sibling dynamic?
I’ve always loved the dynamic between twins—so similar, yet so different. Tabitha is all about online validation and influencer dreams, while Timothy—“Wiki-Tim”—is grounded in curiosity and nature. His love of facts lets me bring in real information without it feeling forced—if I do it right!
I enjoy engaging with my own online community, but nothing restores the soul like a walk in nature, and I wanted that message to come through. Tabitha’s journey isn’t about judging social media, but about discovering that face-to-face connection and time outdoors can be even more fulfilling.
Your eco-fiction highlights agro-ecology and peatbog conservation—how important is environmental education in your storytelling?
Very! I wanted readers to better understand how farming can work with nature. Agro-ecology is all about balance—especially important in crofting, where every bit of land counts. And peatbogs are amazing carbon sinks, so protecting them is crucial.
That said, if you live beside one, cutting peat for heating might still be more sustainable than importing fuel. In Spring, the twins are learning to cut peat when they stumble on the Viking helmet. It was a great opportunity to blend environmental education with adventure.
You’re based in France but write about Shetland—how does living abroad affect your connection to Papala and its culture?
Having lived in France longer than I did in Britain, I often feel caught between cultures—which naturally finds its way into my writing. The sense of not fully belonging is something I explore through Papala’s characters and their varied backgrounds. In Winter, the twins—newcomers to the island—meet a Syrian boy, and together they navigate what it means to be different.
I’ve visited Shetland and Scotland many times and have established a lovely correspondence with a ranger from Foula, who generously reviews my drafts—especially the wildlife and farming details I rely on.
In your Q&A you mention “forcing yourself to write” through writer’s block—what’s your current writing routine while working on Summer?
I don’t really believe in writer’s block. I see it more as something to push through by simply getting words on the page. You can rewrite anything—but not a blank page.
I’ve finished the first draft of Summer, the third book, and I’m giving it some space before editing. I write best in the mornings, usually early when the house is quiet—or even propped up in bed with my laptop before the day begins. It might sound lazy, but it works for me!
Summer explores ocean pollution and the myths of the Selkies—those half-seal, half-human sea folk from Scottish legend. I’m aiming for publication next summer, with time set aside for self-editing, beta readers, professional feedback, and of course illustration work with the talented Jenny Nutbourne.
What one piece of advice would you give aspiring middle-grade authors hoping to blend adventure, ecology, and myth in children’s literature?
Let curiosity lead the way. Research deeply, reach out to experts, and stay open to inspiration—whether it comes from a scientific article, a legend, or a single photo. The more curious you are, the richer and more meaningful your story will become.
EDITOR’S CHOICE
A captivating adventure filled with heart, wonder, and growth. Beautifully written, vividly imagined, and perfect for readers of all ages!
