EDITOR’S CHOICE
A captivating blend of mystery and music, Erica Miner’s novel delivers suspense, rich atmosphere, and a brilliantly layered heroine.
Erica Miner’s Overture to Murder strikes a thrilling chord in the third instalment of the Julia Kogan Opera Mystery series. Set against the atmospheric backdrop of the San Francisco Opera, the novel follows violinist-turned-amateur-sleuth Julia Kogan as she’s thrust once more into a world where music and menace intertwine.
With her former NYPD partner and now-partner-in-life, Larry Somers, and their precocious daughter in tow, Julia must navigate a high-stakes professional opportunity—stepping in as concertmaster—while also dealing with the fallout from a suspicious hit-and-run involving her predecessor. When a murder rocks the opera house, Julia’s instincts as a detective kick in, and the pace quickens.
Miner blends insider knowledge of the opera world with the elements of a classic mystery, crafting an intricate plot filled with backstage intrigue, artistic egos, and a chilling sense of danger. Julia remains a likeable and capable heroine, whose personal and professional lives are increasingly intertwined. The familial dynamic, particularly with young Rebecca in the mix, adds emotional depth and ups the stakes.
Though some twists are slightly telegraphed, the overall narrative remains compelling, and Miner’s affection for both music and mystery is evident throughout. The author’s background in opera brings authenticity to the setting, enriching the story with well-drawn detail.
Overture to Murder is a satisfying crescendo to the trilogy—both engaging and atmospheric. It’s a must-read for cosy mystery fans and music lovers alike, especially those who enjoy a touch of high drama with their whodunnits.
