A Journey Through Creativity, Culture, and Literary Diversity
Mandy Eve-Barnett discusses her inspirations, multicultural influences, and writing process, offering insights into her prolific career and advice for aspiring authors.
Mandy Eve-Barnett, an Edmonton Best Seller and prolific multi-genre author, has carved a distinctive niche in the literary world. With ten published books since 2011, another set to launch in July 2025, and nine more in progress, her creative output is nothing short of remarkable. Her work spans children’s literature, YA fiction, and adult novels, alongside contributions to anthologies, magazines, and non-fiction projects. A dedicated advocate for the writing community, Mandy serves as Secretary of The Writers Foundation of Strathcona County and has held leadership roles in various literary organisations. Her blog, with over 3,500 subscribers and readers from 209 countries, is a testament to her global appeal.
In this exclusive interview for Reader’s House Magazine, Mandy opens up about the inspirations behind her diverse storytelling, the impact of her multicultural experiences, and the challenges of balancing multiple creative projects. From the magical realms of Malgraf’s Dawning to the rebellious spirit of The Commodore’s Gift, she shares how her vivid imagination and organisational prowess fuel her literary journey. Aspiring authors will find invaluable advice in her reflections on writing across genres and connecting with readers worldwide. Dive into the mind of a writer whose stories transcend boundaries and resonate with audiences of all ages.
What inspires your creativity across such a diverse range of genres, from children’s books to YA and adult novels?
My creativity comes from many sources, as I am sure most writers will testify. Some have been the result of writing prompts, while others are from snippets of dreams, conversations with friends, or family, but mostly from being blessed with a vivid imagination. I could say that I love to make stuff up, which is of course true, but to be truthful I have a weird complex mind that is literally bursting with scenarios. All of my stories have begun with a spark of an idea, or a scene that emerges in my mind. As I write, the characters begin to form into fully three dimensional beings within some sort of local. During this process I get to know them, and it quickly becomes apparent which age group the narrative will appeal to by the language, the basic plot and what I have my characters experiencing.
How has your experience of moving from England to Canada influenced your writing style or themes?
I have actually lived on three continents – Africa, Europe (England) and Canada. Each one has given me a unique perspective on culture, landscape and perceptions. I did not start writing until I moved to Canada, although I was creative in many other mediums before that. Moving from a history intense country to one that is so ‘young’ was a real culture shock at first. For example, something in Canada is considered ‘old’ at one hundred years, compared to such sites as Stonehenge, Roman roads and sixth century churches that I knew so well. Exploration of my old and new countries has allowed me to formulate narratives based on my knowledge, experiences, sights and sounds enabling me to give the settings of my novels a real sense of place and time. Having the ability to draw from such diversity gives me incredible resources in creating my stories.
Can you share the process or challenges of working on multiple books at various stages of completion simultaneously?
Although, I try to concentrate on one current personal manuscript at a time it doesn’t always remain that way. I admit I tend to go with the character, or story that ‘shouts the loudest’ in my mind. For non-writers this may seem strange but for any writer you will understand. For example, I was revising one manuscript when an idea for a prequel to my fantasy series popped into my head. It soon became evident that the character was not to be silenced and so I shelved the editing and wrote the novella, Malgraf’s Dawning. My characters live in my mind long after the book is published and some of them, like Malgraf require further investigation. The only way I can explain it is to say my characters are like old friends that either moved away and are kindly remembered, or suddenly drop by unannounced for a visit. This is how they are ‘separated’ within my mind. This is also true when I have other collaborative writing projects vying for attention. I can concentrate on one for a morning, or afternoon, and then switch to another in the evening. In truth, I have multiple digital folders full of revised and edited novels and short stories that may, or may not see the light of a publishing date. There is only so much time.
How do you balance your freelance writing, blogging, and involvement in writing organisations with your own creative projects?
I put my lifelong organizational prowess to good use when juggling multiple projects and events. I have one main calendar, where I enter my regular monthly commitments, such as events, and appointments, etc. at the start of the year and then add to it when I receive additional projects and event invitations. I always leave some days free for extra time slots so when there are invitations to attend, present, or speak at an event, I can reorganize my schedule. This allows me to be fairly flexible. Secondly, I have a weekly schedule to keep me on track. This is where I prioritize freelance client projects first, and then schedule time for personal and collaborative projects and attendance at events.
What drew you to the themes of magic and rebellion in books like Malgraf’s Dawning and The Commodore’s Gift?
Belief in the magical fairy folk realm, learning about Greek and Roman mythology in school and the turbulent history of the British Isles certainly shaped my creativity. I draw from these sources and engineer them into my narratives in my own unique way. In essence, magical powers are a deep seated ideology that many children and adults alike have toyed with at some point. As to rebellion, who hasn’t wanted to control the world they live in? It is the time honoured ‘good versus evil’ stories that resonate with us all that make narratives so compelling.
How has interacting with readers from different countries through your blog shaped the way you approach your storytelling?
It has made me more conscious of cultural diversity and I hope that allows my stories to resonate with readers around the world. I endeavour to ensure the core of my narratives are relatable to all genders and ethnicities and welcome suggestions and constructive critique. When I write I connect with people, who are within a certain group to gain insights and advice on what is acceptable and true without appropriation.
What advice would you offer to aspiring authors, especially those attempting to write across multiple genres?
Firstly, know your voice and tell each story the way that feels right to you. Research and learn about each specific genre you want to write. Read each genre extensively and note the specific constructs for them and what is expected and accepted from its audience.
