Discover the inspirations and creative processes of an award-winning author
Kathleen Harryman discusses her inspirations, writing process, and the emotional depth of her multi-genre works, revealing how York’s rich history influences her storytelling.
In the heart of York, North Yorkshire, where history whispers through cobblestone streets and ancient walls, resides Kathleen Harryman, an award-winning storyteller and poet whose literary prowess has captivated readers worldwide. Since her debut in 2015, Kathleen has garnered acclaim for her gripping narratives and unique writing style, which seamlessly draw readers into the worlds she creates. Her ability to traverse multiple genres—from suspense and psychological thrillers to historical and paranormal romance—demonstrates her versatility and depth as a writer. Kathleen’s works are not just stories; they are immersive experiences that leave a lasting impression on the reader’s mind and heart.
We at Reader’s House Magazine are thrilled to present an exclusive interview with Kathleen Harryman, a luminary in contemporary literature. Her remarkable ability to weave complex emotional landscapes and her dedication to crafting authentic, resonant characters make her a standout figure in the literary world. Our conversation delves into the inspirations behind her diverse body of work, her creative process, and the profound impact of her historical surroundings on her storytelling. Join us as we explore the mind of an author whose stories continue to enchant and inspire readers across the globe.
Kathleen Harryman captivates readers with her emotional depth, versatile storytelling, and ability to create immersive, unforgettable literary experiences.
Your first book, The Other Side of the Looking Glass, delves into themes of memory, control, and self-discovery. What inspired you to write such a psychological thriller, and how did you approach building the tension and mystery throughout the novel?
The inspiration for The Other Side of the Looking Glass came from monozygotic twins and the notion of a husband, replacing one sister with another without raising suspicion. ‘Getting Away with It’ was relativity easy to plot, given that eighty percent of opinions are based on looks and it takes an average of under thirty seconds for us to form an impression. The Other Side of the Looking Glass is a road of discovery told from different POVs. This adds to the mystery and tension of the plot as the reader delves into the emotional state of each main character.
You’ve explored multiple genres, from suspense thrillers to poetry and historical romance. What is it about these different genres that appeal to you as a writer, and how do you maintain your unique voice across such diverse storytelling styles?
The emotional aspect of each genre is what provides my books with their unique voice. Research works to create a realistic story, however, it is the emotions that pour from the characters (struggles, love, uncertainty) that make a story come to life, so much so, that the reader feels they are living in that particular era. Whether writing from the perspective of a killer for my thrillers or a young woman during WWII, it is paramount that the character’s emotional essence is felt and heard.
In The Promise, set during World War II, you weave a story of love, loss, and loyalty under the pressures of war. What drew you to this particular time period, and how did you balance the historical context with the emotional depth of your characters’ relationships?
My grandfather, Lance-Corporal James Chappell died on his way to the rendezvous during the D-Day Landings. His bravery is the force behind my inspiration, drawing to this era. When I set out writing The Promise, and later A Nightingale’s Last Song, my focus was on bringing WWII to life, not only as a historical novel but also by placing the reader directly into the turmoil of that period. There is a moment at the beginning of The Promise when Rosie is faced with the uncertainty of war. The romantic dreams I have for our future shift, and tiny cracks appear. Their lack of clarity makes me sad, and I feel their loss before I can live them.
Your work often examines complex emotional landscapes, such as love, betrayal, and identity. How do you create characters that resonate with readers on such a deep emotional level, especially in stories like The Other Side of the Looking Glass and The Promise?
Each character must first live within me. It is fundamental that when writing, I take on that character’s essence. It is this single-minded point-of-view that allows for a deep connection. Sometimes it is like arguing with oneself as each character must have their say.
York, with its rich historical background, is a fascinating place to live. How does the city inspire your writing, and do you find that its history and atmosphere influence the settings or tone of your stories?
York provides the perfect backdrop for any artist. It is not only rich in history but also in landscape, feeding my inner muse.
You’ve successfully written novels as well as poetry, such as Life’s Echoes: Poems on Friendship and Family. How does your approach to writing poetry differ from your novel-writing process, and do you find that one form influences the other?
Poetry is very different from writing a novel. The sacredness of emotions is entwined within each poetic verse, which becomes a melting pot of awareness. A novel takes a reader on a slower, but no less intense, journey. The path through poetry is much quicker.
